Armour - Sub Category Militaria - Category

ID: 2977

Harness Of Charles V Holy Roman Emperor

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Description 🔉

About:
A fine decorative full field armor in the early 16th century style, inspired by the “KD Garniture” Harness of Charles V, forged by the Atelier of the Earl D’Asalto by Severino Consentino & Higinio Antonio Lorente, Toledo late 19th century to early 20th Century.

The original is attributed to Kolman Helmschmid of Augsburg, circa 1525, and displayed at the Royal Armoury of Madrid, It was created for Charles V, Holy Roman Emperor, King of Aragon, Castile, Naples, and Sicily, as well as ruler of territories in Burgundy (1500-1558).

Presenting a fine facsimilie this harness, designed for field or tournament use, stands as one of the finest and most elegant examples of 16th-century armor craftsmanship. Constructed as a complete harness with pieces of exchange (additional pieces that could replace or be added to the harness for different styles of combat), it is most commonly seen in the configuration presented here.

It is frequently referred to by one of two names: the "armour de bordes adiamantados" (armor with diamond-studded borders) or the "KD" Garniture. KD standing for " Karolus Divus"
The armor comprises an armet, cuirass with tassets in the front and back, asymmetrical pauldrons, a besagew protecting the right armpit, vambraces, mitten gauntlets, cuisses, poleyns, greaves, and splayed-toed sabatons. The armet features a rondel at its back and is bordered at its base by a small skirt of mail.

Additionally, the armet includes a pierced, reinforcing browplate.
The original armor had a removable lance rest, which likely explains its absence in this rendition.

Armourer - Master of the Forge:

Little is known about the origin of Severino Consentino other than he was a master metal forger who operated toward the end of the 19th century.
Higinio Lorente Sánchez, born in Guadamur in 1898, apprenticed to Consentino at a very young age. His master, originally a coppersmith, forged harnesses, breastplates, and limbs, and also restored original armor. He worked exclusively for Spanish nobility, including Count D’asalto and Carlos Morenés, the Marquess of Borghetto.

This particular harness is presumed to be an example of their craftsmanship, possibly a rite of passage for the young Lorente, forged in the early 1900s.
The artisans likely had access to the original in Madrid, as it bears shapes consistent with hands-on experience rather than merely working from pictures. Minor details replicated from the early 20th century would have been impossible without constant comparison.

In 1921, Lorente became independent and set up his own workshop in Toledo, where he handcrafted and forged armor for over 60 years. Located on Calle del Santísimo Cristo de la Piedad, his workshop received numerous visits from journalists, who came to meet the last famous armor artisan.
The merit of his works lay in the fact that he made them with the same technique and mastery as his medieval counterparts: Italian, German, and Spanish artisans who forged armor for kings.

Higinio’s works adorn palaces and castles throughout Spain, France, Italy, Germany, and beyond. Some are even exhibited in museums, alongside original armor from the 16th century.
It is exceptionally rare in this modern day for known works to be available on the open market.

After 60 years of manipulating steel, Higinio’s strength failed him, and he passed away on January 29, 1991, at the age of 93.
His knowledge and techniques, learned over centuries, also died with him.

Field Armour made for Holy Roman Emperor Charles V

Charles V (24 February 1500 – 21 September 1558) served as Holy Roman Emperor and Archduke of Austria from 1519 to 1556, and as King of Spain from 1516 to 1556. He also held the title of Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555.

He was the heir to and the head of the rising House of Habsburg. His dominions in Europe included the Holy Roman Empire, extending from Germany to northern Italy, with rule over the Austrian hereditary lands and the Burgundian Low Countries.

In addition, he held sway over Spain and its possessions, including the southern Italian kingdoms of Naples, Sicily, and Sardinia. In the Americas, he oversaw the continuation of Spanish colonization and a short-lived German colonization.

The personal union of the European and American territories he ruled earned his realm the moniker “the empire on which the sun never sets,” with suns and rays featuring throughout the armor.

King of Aragon Castile,Naples and Sicily

Charles revitalized the medieval concept of universal monarchy.
Without a fixed capital, he embarked on 40 journeys through the various entities he ruled, spending a quarter of his reign traveling within his realms.
While his empire initially came to him peacefully, he spent most of his life engaged in warfare, depleting his revenues and accumulating debts in his effort to defend the integrity of the Holy Roman Empire from the Reformation, the expansion of the Ottoman Empire, and conflicts with France.

Charles borrowed money from German and Italian bankers and, to repay them, relied on the wealth of the Low Countries and the flow of silver from New Spain and Peru, acquired under his rule following the Spanish conquest of the Aztec and Inca empires, which led to widespread inflation.
He died at 58 from malaria, leaving his heirs in significant debt from his years of warfare.

Provenance:

This harness in its entirity came from a collector in Japan who initially purchased it twenty years ago in Germany where it is purported to have come from a relative of the deceased estate of Eberhard von Stohrer, a German career soldier during the war and a diplomat to Spain living in Madrid. It underwent some minor professional restoration recently involving some polishing and regilding.

The style of work has been identified by Dr Nicholas Phillipe Baptiste, a Belgian Doctor in Medieval History, Exhibition Curator, accomplished author from the University of Savoie and a specialist in arms and armour from the past to the current day.

Baptiste immediately recognised the style, construction and compositon as the work of Lorente and potentially another, this with its potential origins in Madrid reinforced the story of this incredible garniture.

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